Showing posts with label De Breek. Show all posts
Showing posts with label De Breek. Show all posts

June 30, 2022

De Breek: Onder het Gras

Dutch vocal trio De Breek released a rather splendid EP, Jas, in 2019, but it took them a while to come up with a follow-up. Steef Hupkes (Stanley en de Menzo's), David Pino (El Pino & the Volunteers) and Sander van Munster (No Ninja Am I) once again sing about every day emotions on their second EP, Onder het Gras, on top of '70s tinged singer-songwriter inspired music, but the lyrics dig a little deeper.

The title track Onder het Gras ("Beneath the Grass") is finding about hiding and finding shelter. Haal jezelf maar uit elkaar ("Take Yourself Apart") is written from the perspective of a drone who flies high before crashing into a tree, a metaphor for picking up the pieces after a serious breakdown. They saved the best for last. Kleine Lettertjes ("Small Print") is about a guy who promises to take care of everything, but that comes at a prize. Somewhere, in an alternate universe, Lennaert Nijgh and Jan Rot are giving these musicians a big thumbs up for giving the Dutch language a poetic depth that is quite rare.

August 21, 2020

De Breek: 'Pluizen" video

Dutch trio De Breek hava made a video for Pluizen (the fluffy stuff from a dandelion). It's a track from their debut EP Jas: " a blend of the sound of the Laurel Canyon scene and early Seventies music in general. It's all about the voice as a lead instrument, with piano and dreamy guitar keeping it snug and warm".

» de-breek.nl

HCTF review of Jas.

November 28, 2019

De Breek: Jas

Glorious vocal harmonies don't give a fuck about language barriers. Dutch trio De Breek sing in their native tongue about the coat a father used to wear, a bomb, and fluff tumbling in the air on their debut EP Jas.

Steef Hupkes (Stanley en de Menzo's), David Pino (El Pino & the Volunteers) and Sander van Munster (No Ninja Am I) live within spitting distance in Amsterdam-Noord, but it took them some time to finally get together to start working on songs that are a blend of the sound of the Laurel Canyon scene and early Seventies music in general. It's all about the voice as a lead instrument, with piano and dreamy guitars keeping it snug and warm.