June 20, 2026

Flower Show: I Want To Hold Your Man

Liverpudlian queer six-piece indie band Flower Show have unveiled a video for their new baroque pop song I Want To Hold Your Man. It is set in an non-descript office, with a bunch of singers and dancers trying to make an impression on a plain commitee to hire them. The track is a bit over the top, but with the serious message as well to take people at face value. It is the lead single for their new album A Cake In A Daydream, due for release on September 4.

» Flower Show on Instagram

Live date:
  • 08/01 Bidston Observatory - Wyrd Wyrale 2026, Liverpool, UK

HCTF review of Painted Nails & Silver Bells

June 19, 2026

Nell Davies: "Never Wrestle With A Pig" video

Nell Davies made a video for Never Wrestle With A Pig, a track from her The End of the World or Whatever EP: "Part riot girrrl, part pop artist, Nell Davies attacks her material with a hammer and a smile. Look no further when in need of a song telling people to fuck off. This kind of ramshackle catchiness is irresistible."

» nelldavies.com

HCTF review of The End of the World or Whatever

Morgendust: The Art of Breaking

Dutch '80s inspired quintet Morgendust did not waste time coming up with a follow-up for their Monuments of Men, which was released only a couple of months ago. The Art of Breaking kicks off with the political lead single High Horse, an in-your-face anthem that is part satire and part serious about the worldwide rise of right-wing idiots, but the rest of the tracks are keeping it closer to home: a nameless protagonist at a party with all the other guests being lonely as well (Can't Escape) and wanting to shut out the outside world to find some peace of mind (Sunblinds).

There is a token ballad about feeling guilty and ashamed (Broke Your Heart), with keyboards acting as a string section, but they saved the best for last. Old One starts out as a gentle song that becomes powerful as the track progresses, a trick that will be familiar to Marillion fans, albeit with more adventurous percussion bits.

HERE[IN]: Can You Hear Me

photo: Zian Palau

French post-punk sextet HERE[IN] keep the sound of 80s cold wave alive on their Can You Hear Me EP, with six soul searching tracks. The contrast between the vocals and cello on one end and the wall-to-wall rock approach on the other might take some time to digest, but the overall mood of sensual darkness, despair and anger will persevere in the end.

Rock 'n' roll was once widely considered as a dangerous scheme to corrupt the youth and while it now has been superseded by other genres that freak out narrow-minded parents it is good to know that there is band in Bordeaux soldiering on to put self-doubt and emotions in the spotlights in a timeless, old school way.

June 18, 2026

Taihr: Alicanto

Taihr

German alternative progressive septet Taihr set up to create a prominent space for each of its members on their Alicanto album, which - spoiler alert - contains seven tracks. Did it work? Well, kind of, but in the long run their blend of easy on the ears jazz, funk and math rock gets superseded in a good way by the voice of Génesis Trinidad Gálvez Jaramillo, whose impressive range is smack in the middle of the mix. Also: flawless command of both English and Spanish.

Make no mistake: there is an awful lot going on, which is to be expected with a bunch of highly versatile players. There are plenty of "what the fuck" moments included, but they are always part of their singular goal when they entered the studio to record their sophomore full-length: get their audience on their feet and dance the night away. With Alicanto, named after the mythological bird from Chilean folklore that led miners to treasure, they have struck gold.