Showing posts with label Thistle Sifter. Show all posts
Showing posts with label Thistle Sifter. Show all posts

February 04, 2026

Thistle Sifter: Forever The Optimist

photo: CamilleM

English musician Pete Barnes released two introspective albums with his instrumental project Thistle Sifter, as he was trying to deal with the after effects of a nasty bike accident, but on Forever The Optimist he comes out of shell, only to find out that the outside world has become a dangerous place, where rampant capitalism is depleting all the natural resources. People don't seem to realise that agriculture as one of the main culprits (Ghost Acres). He has been reading a lot and the works of Jay Griffiths, George Monbiot, Omar El Akkad and Siddharth Kara found their way into his compositions, not so much with the actual words, but more like mood boards that were translated into music.

He has a knack for creating soundscapes that are wrapped in neo-classical textures, some of them quite abstract (Weightless), but also going into Depeche Mode meets Mogwai (One Fleeting Glance). The softly tinkling Endling is covered in hiss, from which the choice synth notes can escape to a supposedly better place. Barnes has plenty of reason to be seriously worried, but all is not lost as he wraps up his statement with the soft-spoken title track. It would help if people stopped being so greedy and stupid though. Only then the Anthropocene can become an era that does not end in destruction.

January 09, 2026

Thistle Sifter: Ghost Acres

photo: CamilleM

English musician Pete Barnes is the driving force behind Thistle Sifter, a post-rock project based in Utrecht in the Netherlands. The projects third album Forever The Optimist, due for release on February 6, focuses on the environment and mankind wrecking havoc on nature in order to make a fast buck. Single Ghost Acres takes a swipe at agriculture, an industry where extensive use of pesticides and cutting down forests are part of the businessplan, and the cramped mega sheds where animals are treated like factory products on a conveyor belt.

It is a widescreen cinematic sonic experience that brushes shoulders with prog, ambient, shoegaze and classical music, a wave of multifaceted sound that needs to be heard without any outside disturbances to fully appreciate the width and breadth of the music, deciphering the multi-layered textures. His regular collaborators Koen Klarenbeek (drums) and Nils Breunese (guitar) helped him out on this one, as well as a string quartet section consisting of Marta Jiménez Ramírez (cello) Maria Garcia (viola), and violinists Damián Cabedo Vicente and Begoña Hernández Gallardo.