Showing posts with label Shawn Phillips. Show all posts
Showing posts with label Shawn Phillips. Show all posts

December 01, 2024

Shawn Phillips: Outrageous

When it comes to playing an intense acoustic guitar in the 70s, very few could hold a candle to singer-songwriter Shawn Phillips. After the release of the sprawling Live In The Seventies 3CD set, the new archival release Outrageous finds him playing up a storm at the Armadillo Headquarters in Austin,, TX in January 1976.

The original 1" multitrack tapes were known to exist, but took years of digging around to find them after which they had to be transferred very carefully. Philips was playing with pianist J. Peter Robinson, sharing a deep musical connection with plenty of room to improvise. With the addition of his pioneering skills as a user of loops, the duo could sound intimate or as full band if they felt the urge to let rip.

August 21, 2022

Shawn Phillips: Live In The Seventies

On the cover of the exhaustive Live In The Seventies 3CD set Shawn Philips looks like the archetypal dude with a guitar playing songs about loss an love. And sure, there is plenty of that, but he was also an inventor, an early adapter of using loops, throwing in jazz licks, and getting his audience on the wrong foot with unexpected twists and turns. He came close to being big, graduating from coffee shops and rock clubs like The Bitter End to playing venues like Alice Tully Hall in the Lincoln Center NY. For some reason his songs from his studio albums were rarely heard on the radio, but luckily there were a couple stations who went to the trouble to record his live performances for posterity, capturing his impressive vocal register - three octaves all the way to a superb falsetto.

His fans always claimed to the best way to listen to Shawn Philips is attending his shows and the eight recordings were assembled by musician Roger Houdaille (Ex Norwegian) and composer Alex Wroten for Live In The Seventies are proof that they were right about. The audio restoration was in the capable hands of Prof. Stoned, bringing the urgent intimacy of the musician's stage persona to the fore. Taking it all in one sitting is the best way to get lost in the musical maze and enables the listener to follow his development over the years, but when that is not an option, it is best to break it down to one recording of a broadcast at the time, have a drink, and cue up the next one.