Showing posts with label Reinier Baas & Ben van Gelder. Show all posts
Showing posts with label Reinier Baas & Ben van Gelder. Show all posts

December 29, 2018

HCTF's best of 2018 (15-11)

HCTF's annual list of the 20 albums that will be in regular rotation for many years to come. As per usual many genres are represented. This blog covers a lot of ground and it shows in this eclectic, final tally.

Today: countdown from number 15 to 11.

Please shop at your local record store, buy directly from the artist, attend live shows. Don't block anyone's view with with your phone (better still, switch it off altogether). Shut the fuck up while the band is playing. Educate your friends. Word-of-mouth can't be beat as the prime source to discover new music.

November 22, 2018

Reinier Baas & Ben van Gelder ft Metropole Orkest: Smash Hits

Dutch ensemble Metropole Orkest isn't known as a particularly adventurous lot, but let them play together with Reinier Baas and Sax player Ben van Gelder, two of Holland's fine young jazz musicians and lo and behold: they can swing an add something extra. The live album Smash Hits was recorded at the Westergastheater in Amsterdam on January 16th 2016 and the Transition Jazz Festival @ TivoliVredenburg in Utrecht on April 8th 2017. Thanks to smart sequencing it sounds like it was laid down at a single show.

Baas and Van Gelder have been playing together for years, solidifying in instantaneous musical interaction that the orchestra could latch onto. Arrangers Gerd Hermann Ortler, Rob Horsting, Daniel Jamieson and Christian Elsässer dug into the duo's discography, cherry picking highlights such as Guiding Principle, Do You Know Ben Van Gelder and Smooth Jazz Apocalypse. Conductor Christian Elsässer steered the orchestra through the proceedings in a firm but relaxed approach. The soloists found themselves surrounded by a bunch of musicians who were enjoying themselves and went out their way to be step out the faceless mode of sight-reading professionals. Fluidity interspersed with the ability to stop and start again within the blink of an eye can only be achieved when musicians are willing and able to really listen to each other.